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The Misfits
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It was the last roundup for Clark Gable and Marilyn Monroe, who gave their final performances in this melancholy modern Western. Arthur Miller wrote the script (some say overwrote) as a contemplation of his then-wife, Monroe, and set the piece in the half-world of Reno, Nevada. The dangers of this kind of meta-fictional approach are not entirely avoided, but the clean, clear-eyed direction of John Huston keeps the film grounded. And then there are the people: Gable a warrior past his time, Monroe overwhelmed by the world and its attentions, Montgomery Clift visibly broken in pieces, Eli Wallach a postwar neurotic. If the encroaching mortality of Gable, Monroe, and Clift weren't enough, the stark photography and Alex North's score confirm this as a film about loss. It may have its problems, but seen at a distance of many years, The Misfits scatters its tender mercies with an aching beauty. --Robert Horton
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